Who can forget in the final scene in the Godfather, the 1972 mafia movie based on the novel of the same name, or the image of the innocent, fresh- faced Michael Corleone? The scene was a cinematic splice fest as the story cut back and forth between the solemnity of the sacrament of baptism in a Gothic Catholic church and the series of simultaneous multiple murders, which Michael had personally prearranged. Blood was shed wantonly in beds and elevators, on massage tables, through revolving doors and by thugs masquerading as police officers. Supposedly Michael coordinated these hits to save his own life and to seal his position once and for all as leader of his Costa Nostra family following the death of his powerful father Vito Corleone.
Michael Corleone was the favored child of a mafia lord who had put his political aspirations for legitimate power squarely on Michael’s privileged potential. This young, educated, polished, war hero was the perfect candidate to rise through the ranks of politics to become either a senator or governor giving authenticity to what was really a bloody, greedy, evil game. It never occurred to Vito that his Marine son returning from WW II a mild mannered, cool-headed civilian would end up being the most vicious, cold blooded killer of them all.
Michael was a flawless fusion of class, smarts and ruthless ambition all packed neatly into a presentable persona that belied the content of his true objectives. Contrary to how he presented himself…Michael was in total control. It was genius to watch the way this masterful Corleone devised the establishment of his power structure, while managing to appear guilt free. He was able to lend his approbation to a lethal band of capo régime soldiers to go out and do his homicidal work all while a vested cleric was busily sprinkling him with holy water. Just as the priest at the baptism bestowed his blessing, so too had Michael given his sanction to a group of violent gangsters to eradicate his enemies, annihilate road blocks to his agenda and take no prisoners…all while appearing to be reverent, innocent and blameless in the eyes of a group of spectators present as he gave a sacred oath to his infant godson. The job got done while Michael’s hands remained unsoiled.
Watching the sequences where these murders unfolded I was struck with an obvious correlation between Michael Corleone and the present power structure at work in Washington DC. Now I’m not suggesting that our new President or his associates are involved in mafia like crime, I’m not! However, the impression that Barack Obama works hard to project is that he is an affable, easy-going, genial, laid back type of guy whose bi-partisan, collegial efforts decry his mounting dictatorial tendencies, in the style and the manner of Michael Corleone.
Upon observation, it’s hard not to notice that the mainstream media, when explaining the passing of a socialistic stimulus bill, which the public is ill at ease with, is legislation Obama wasn’t involved in crafting. Listening to MSNBC you would think this stinker is being finagled on Obama by wild-eyed, left winger Harry Reid and his San Francisco policy-purveyor Speaker Nancy Pelosi. Obama’s subordinates want us to believe that the President is as much a victim of socialistic liberalism as the rest of us. Untrue! Just as Michael Corleone was well aware of what was taking place as he was “renouncing Satan” so too is Barry Soteoro well aware of everything that is going on and I believe he is the one who is thoroughly in control of having this radical agenda pushed through.
Obama is not a submissive by-stander but rather a supreme puppet master. He likes to portray himself as the benevolent community organizer. A calm dude just strolling through the streets of the city handing out candy to children and ushering little old ladies across busy streets, with a soft endearing smile, whispered tones and low key style. What we need to be aware of is that all the while he is embracing the lowly under his loving wing he is also making sure he has a firm grip on the leash, holding the pack of pit bulls he is walking in the precise direction he wants them to go.
Lest we forget his roots, Obama has a history similar to Michael Corleone and commands a faithful capo of workers who are loyally committed to both his power and his plans. Barry, like Michael, came on the scene relatively unaware and moderately innocent. Let’s review what happened to Michael? To survive he became more unmerciful than his enemies and this worked well for him in advancing his objectives. This seems to mirror Obama’s metamorphosis, where a “…very egotistical guy with undeniable ambition” (US News, Obama’s Years in Chicago Politics Shaped His Presidency, Two decades in the Windy City produced the Obama we know today, Kenneth Walsh, 4-11-08) was able to rise through the ranks of a corrupt organization quickly and effectively. Obama, much like Corleone using intellect and fortitude together with unbridled determination, ultimately achieved the highest seats of power within their separate political structures, Corleone utilizing literal manslaughter and Obama meting out undercover political massacre.
Chicago is a macro example of what took place in Vito Corleone’s world on a micro-level. According to the Encyclopedia of Chicago, “Chicago politics is a national cliché’, evoking images of a one-party system, dominated by a boss-controlled Democratic political machine whose crafty politicians dangle patronage before competing ethnic and racial groups in return for votes”. In order to survive in that environment and even to advance in such a political landscape, you have to demonstrate “…a warrior instinct” (NPR, How Chicago Politics Shaped Obama, Norris, 2-13-2008).
Michael was perceived to be “wet behind the ears” returning from war, he lost no time injecting himself into a situation that demanded he conform or be destroyed, so too was Obama initially perceived to be naïve. Long time Chicago political operative, Delmarie Cobb came to find out in spite of the initial impression quite the contrary was true, “…there was nothing naive about him” (Norris, 2-13-2008). Obama’s current Underboss Rahm Emanuel described Chicago politics in the following way, “Politics in Chicago is an all-season sport and it’s not for the fainthearted” (US News, Obama’s Years in Chicago Politics Shaped His Presidential Candidacy, Two decades in the Windy City produced the Obama we know today, Kenneth Walsh, 4-11-08).
In Chicago what came to be referred to as “The Political Execution of Alice Palmer” was Obama’s initiation into the family. Palmer lost a run for Congress in 1996 after choosing Obama, a young community organizer, to be her successor to the Senate seat she was abdicating. Alice Palmer lost that election for Congress and wanted her seat back, but the “fine young man”, which is how Palmer referred to Obama, refused to step aside. Attempting to retain Palmer’s seat Obama initiated a procedural challenge to the signatures on Palmer’s nominating petitions and managed to “kill” her chances. “The whole episode showed that Obama was an extraordinarily ambitious young man willing to do whatever it took to advance…his own political career….some say it was cold hearted, but it shows that if he has to pull the trigger (emphasis mine) he will” (US News, Obama’s Years in Chicago Politics Shaped His Presidential Candidacy, Two decades in the Windy City produced the Obama we know today, Kenneth Walsh, 4-11-08).
As a new comer, the means Obama utilized to earn the respect of his elders is eerily reminiscent of the scene in Nuova Villa Tammaro where Michael first pulled the trigger proving he had the stomach to go all the way to the top. Barry showcased his mettle and did what was necessary to advance his political career, the body count started with the political murder of both a friend and a mentor. Alice Palmer quickly found out what Obama was made of just as corrupt cop McCluskey and rival Virgil “The Turk” Sollozzo found out when Michael Corleone assassinated them both over dinner after telling his brother Santino and the rest of the amused senior members of his family that he planned on doing it. Michael reassured them that, “It’s not personal. It’s strictly business.” This brazen move catapulted Michael up the political ladder within the family structure just as Palmer’s termination gained young cugine Obama the respect he hungered for in Chicago.
Michael Corleone quickly adapted to the tenor of the crime “family” as did Obama the Chicago machine. In order to get ahead in the rough Chicago atmosphere a callow Obama did what he had to do and if disposing of Palmer was part of it, he was willing to. Michael Corleone was a fish out of water. He was refined and intelligent, quite unlike his ruffian brother Sonny who was a tough-guy gangster who ended up being gunned down very early on. Obama was not from Chicago and lacked Chicago lineage or networking to identify with. It was necessary for him to initiate a thorough grass roots effort and to gain credibility through patrons like Jerry Kellman and Emil Jones, president of the Illinois Senate. He pursued and hooked up with mentors such as Mayor Harold Washington and Daley and former activists turned capo regiments, Axelrod and Emanuel. Formerly self-admitted uninterested in religion and Muslim raised Obama became a “convert” at Reverend Jeremiah Wright’s radical inner-city Church with racist, anti-Semitic leanings, Black Liberation theology teachings and powerful links to the community. His aggressive networking even garnered him campaign funding from slum-landlord Tony Rezko.
In Michael Corleone’s world Capodecina are high ranking members in the family who head the “crews” of foot soldiers and these capos have powerful social status and can influence the organization. It is my belief that our President has a grouping of capos around him doing his dirty work so that he can sit back and retain the reputation of being the smiling, mild-mannered, soft-spoken, populist whose oratory skills inspire a people whose best intentions are his only goal. Make no mistake Obama, is the Godfather of the family, he is a decisive Boss and quite probably Michelle (Esquire) is his eager consiglere. Chicago politician Rahm Emmanuel is his Alpha, pit bull Underboss and his capo régime Pelosi, Reid and David Axelrod. These three operatives are presently being dispatched to carry out his express orders, leaving him like Corleone free of blood on his hands if this foray into social engineering should crash and burn.
Patrick Buchanan asked a surprising question in Investor’s Business Daily on February 3rd, “Does President Obama really want this Nancy Pelosi New Deal to be his legacy? Because that is exactly what he is inviting? And before he uses force majeure to ram this bill through the Senate, he ought to consider what the honest objections are… Does he really want to bet the farm on the nag Nancy Pelosi just trotted out of the House?” (IBD, Should Obama Let Pelosi Craft His New Deal? Patrick J. Buchanan, 2-3-09). I want to transmit a message to Mr. Buchanan; “There is not a chance that this bill or any other policy initiative is being crafted by anyone other than Obama”. No more possible than it is possible that Al Capone was unaware that the St. Valentine’s Massacre was taking place on a Tuesday in February.”
Barack Obama is not some baby faced innocent that is unaware of the social structure that is being instituted in this ram-through-bill. He may be figuratively striding through town, Colgate smile gleaming in the noon day sun, donned in a T-shirt with a large peace sign, handing out dollar bills to anyone who says, “Buddy can you spare a dime?” However, he is in firm control of the pack of pit bulls he is walking, with Rahm the Alpha dog rallying the charge. If the people availing themselves to this benevolence step back and take note, the breed of dog he’s picked speaks volumes about his ultimate intention.
Barack Obama is the Michael Corleone of Washington DC. While he was busy in the regal ceremony reciting the Oath of Office with his right hand on Lincoln’s Bible, behind the scenes his cadre’ of capos were scrambling around preparing to do his bidding and carry through with his orders, expediently and severely with his full knowledge and approval and exactly as he planned. The passage of this bill is similar to how Mo Green, raising his head from the massage table was shot through the eye before he could see what was happening in the last scene in the Godfather. In our case our nation’s freedoms, tenants, Constitution and values are in the process of suffering the same violent and devious end as Stracci, Moe, Don Cuneo, Tattaglia and Don Barzini in the closing scenes of the movie, while our very own Michael Corleone-in-Chief is innocuously having bi-partisan cocktails in the Red, Blue and Green rooms of the executive mansion.
Copyright 2009 Jeannieology. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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In this world of fashion, handbags frequently occupy a coveted position as icons of status and style. Yet, for numerous individuals, the cost tag affixed to such luxury products remains out of access. Enter copycat bags—a thriving industry that provides the allure of luxury at a fraction of the cost. But with their attractiveness comes debate, prompting questions about quality, lawfulness, and morality. In this article, we’ll unravel the intricacies surrounding replica handbags and offer perspectives for fashion enthusiasts, bargain shoppers, and high-end aficionados.
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When it comes to replica handbags, the main appeal lies in affordability. But, this raises the issue of standard—is it feasible to achieve a balance between price and quality? While authentic luxury items are famous for their impeccable components and careful construction, copies aim to mimic these qualities at a reduced cost.
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However, the quest of affordability may come at a price. While some premium replicas boast impressive longevity, some may fail short, using inferior components that compromise longevity. Consumers must consider the balance between cost and quality, making informed choices based on their priorities and expectations.
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This realm of replica bags is fraught with juridical and ethical dilemmas. On the juridical front, forgery infringes upon trademark rights, creating significant issues to enforcement. Brands invest heavily in safeguarding their creative rights, leading to continuous struggles against fake manufacturers. These initiatives underscore the complexity of regulating
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Our customers consist of worldwide companies, image-driven style and also appeal residences, and a variety of markets where accuracy is a necessity such as innovation and also electronics. I require these for big art projects with clear layers that require to align. Since they have not been resting on the rack for months, ours rub down equally without much initiative. Fresh sticky assists them adhere quickly and also fresh ink doesn’t fracture or peel off. I was after that supplied a chance to once again re-new, however the Plus 20 account no longer existed, and I would certainly have to update to their And also 50.
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In the realm of style, bags often hold a coveted place as symbols of status and fashion. However, for many individuals, the price tag attached to such high-end items stays out of access. Enter copycat bags—a thriving sector that offers the allure of opulence at a fraction of the price. But with their appeal comes controversy, raising questions about quality, legality, and ethics. In this post, we’ll unravel the complexities surrounding replica bags and provide perspectives for style lovers, bargain buyers, and luxury aficionados.
The Allure and Debate of Replica Bags
Copycat bags have a captivating attraction for those who wish for the elegance of luxury brands without the hefty price label. They offer an affordable way to enjoy the newest trends and timeless styles, making luxury appear achievable. Yet, this allure is not lacking its dark sides. The debate over copies has ignited a dialogue about authenticity and worth, challenging traditional ideas of luxury.
For fashion lovers, copies offer a pathway to try out with designs they appreciate. There is a excitement in carrying a bag that reflects a brand’s design, fulfilling both individual fashion ambitions and the desire for social recognition. This wide accessibility allows more people to join in the high-end conversation, making accessible fashion that were formerly exclusive.
But, the debate cannot be overlooked. Critics argue that copies undermine the artistic work of designers and add to a culture of imitation. This discussion extends beyond aesthetics, addressing on issues of intellectual property and the authenticity of artistic expression. As the demand of replicas increases, so too does the complexity of these discussions, prompting consumers to reflect on the wider implications.
Standard vs. Cost-effectiveness: A Comparison
When it comes to replica handbags, the primary appeal lies in cost. However, this raises the issue of quality—is it feasible to achieve a balance between cost and quality? While authentic high-end bags are renowned for their impeccable components and meticulous crafting, copies aim to replicate these features at a reduced cost.
Numerous replica manufacturers have enhanced their methods, producing items that closely mirror the genuine items. Advanced components and focus to detail have raised the standard of copies, sometimes making them indistinguishable from genuine products. For discount shoppers, this presents an enticing offer—accessing luxury styles without the monetary burden.
Yet, the quest of affordability may come at a price. While certain high-quality copies boast notable durability, some may fail behind, utilizing inferior components that compromise longevity. Consumers must weigh the balance between cost and standard, making informed decisions based on their priorities and expectations.
The Jurisdictional and Ethical Consequences of Copycat Bags
The world of replica bags is fraught with legal and ethical dilemmas. On the juridical front, forgery violates upon brand rights, posing significant issues to implementation. Companies invest heavily in protecting their creative property, leading to ongoing struggles against counterfeit producers. These initiatives underscore the difficulty of regulating
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